The Violent Femmes have only played a handful of shows since reuniting this past April, but the band’s already experienced a major lineup shake-up: Drummer Victor DeLorenzo — who promised the band’s Coachella reunion would be a “monstrous thing of beauty” — is out, replaced by Brian Vigilone of The Dresden Dolls.

Simple Minds’ first North American tour in more than a decade will feature just seven dates this October, with new concerts announced today in Los Angeles, Washington, D.C., Boston, Montreal and Toronto joining previously revealed shows in New York City and Red Bank, N.J.

Jane’s Addiction last month released Live in NYC, a multi-format document capturing 12 songs performed at the band’s July 25, 2011, concert at New York City’s Terminal 5 — and we’ve got one copy each of the new release on double-vinyl and Blu-ray to give away to two lucky Slicing Up Eyeballs readers.

Move over, vinyl: Taking their cue from the wildly successful Record Store Day, some lovers of the lowly but resurgent cassette tape format have launched International Cassette Store Day, which will take place Sept. 7 and feature limited-edition cassette releases from The Flaming Lips, The Birthday Party and more.

This month’s Auto Reverse mixtape features new music from both the Pixies and ex-Pixie Kim Deal, plus some vintage tunes by The Replacements, X, My Life With the Thrill Kill Kult, New Order, The Mission, Robyn Hitchcock, The Cure, King Missile, The Godfathers, Ramones and The Bubblemen.

The Mission this September will release its new studio album The Brightest Light, an 11-song collection that marks the first time original band members Wayne Hussey, Simon Hinkler and Craig Adams have recorded together since the sessions for 1990’s Carved in Sand.

This week’s new releases include the Pet Shop Boys’ second new album in a year (‘Electric’), plus an expanded reissue of The Cult’s ‘Electric,’ a repress of Peter Buck’s 2012 vinyl-only solo debut and a new monkey-themed 7-inch, a collection of Style Council albums and a reissue of Frank Black’s ‘Oddballs.’