Next month, Los Angeles’ Dum Dum Girls — equal parts The Ronettes and The Jesus and Mary Chain — will follow up their 2010 Sub Pop debut with a four-track EP called He Gets Me High that includes a blissfully fuzzed-out cover of The Smiths high-water mark ‘There Is A Light That Never Goes’ Out.” T

Today’s assortment of online odds and ends includes a great new Smiths/Morrissey visual discography, a podcast of The Fall’s best Peel sessions, the first taste of Peter Buck’s and Steve Wynn’s second Baseball Project album, and an interview with Chrissie Hynde.

Today’s collection of interesting stuff, including interviews with The Smiths’ Andy Rourke, Lou Barlow of Sebadoh and Dinosaur Jr and Gang of Four’s Jon King, plus some stripped-down, a capella New Order.

Exactly 28 years ago today, The Smiths took the stage for only their third concert — and only their second with the final Morrissey/Johnny Marr/Andy Rourke/Mike Joyce lineup — opening for Factory Records funk band 52nd Street at New Order’s infamous Manchester club The Hacienda.

Highlights of tonight’s ‘Dark Wave’ on Sirius XM’s 1st Wave include some lesser-aired tracks by Depeche Mode (‘Shame’) and The Smiths (‘I Don’t Owe You Anything’), plus a bunch of live Bauhaus.

Fans of The Smiths are reveling in an unexpected Christmas gift this week with the appearance of a bootleg LP featuring 16 unreleased studio outtakes, including the scrapped original recording of ‘Sheila Take a Bow,’ a reggae-like take on ‘Girlfriend in a Coma’ and two previously unheard instrumentals.

The ongoing brouhaha over British Prime Minister David Cameron’s liking of The Smiths — something both Morrissey and Johnny Marr, in a rare show of public unity, have forbidden — spilled over onto the floor of Parliament yesterday during the always-entertaining Prime Minister’s Questions.