Sub Pop Records this fall will release an anthology compiling the entire recorded output — including five unreleased songs — of Seattle’s U-Men, considered the leading light of the ’80s underground music scene in that city that ultimately would birth grunge upon the world. Check out one of the tracks here.
The reunited Afghan Whigs this morning offered fans their first taste of upcoming seventh album Do To The Beast with the premiere on Spotify of the first track off that release: “Algiers,” a four-minute, mostly acoustic ballad that’s dirtied up, in the middle, with a fuzzed-out electric-guitar solo,
As “Breaking Bad”/”Better Call Saul” star Bob Odenkirk let slip in a tweet last Friday, the reunited Afghan Whigs are indeed releasing a brand-new studio album, with Greg Dulli and Co. announcing today that they are returning to Sub Pop Records to release Do To The Beast, their first album in 16 years.
The venerable Sub Pop Records is kicking things off by teaming up with Seattle’s KEXP to broadcast all afternoon from the Space Needle — atop which Mudhoney, J Mascis and more will perform throughout the afternoon. Check out full live video of today’s festivities here, via KEXP radio.
Seattle proto-grunge survivors Mudhoney last night returned to network television for the first time in 18 years, performing “I Like It Small,” off the band’s new album Vanishing Point, on air, plus a second song off the record, “The Only Song of the Widow From Nain,” as a web-only exclusive.
This April marks the 25th anniversary of both Mudhoney and its label, Seattle’s Sub Pop Records, and the proto-grunge act will mark the occasion with the release of its ninth studio album, ‘Vanishing Point’ — which you can preview now via a free download of first single “The Only Son of the Widow from Nain.”
Sub Pop Records today offered up the first taste of Dinosaur Jr frontman J Mascis’ forthcoming record ‘Several Shades of Why’ — an acoustic collection that’s actually his first-ever studio solo album — in the form of a free download of the track ‘Not Enough.’
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