We’ve run into a bit of technical difficulty with our tonight’s ‘Dark Wave’ playlist. When we’re unable to catch the show on Sirius XM’s 1st Wave — as was the case this Fourth of July night — we’re usually able to recreate it using DogstarRadio.com’s excellent search function.

‘Dark Wave’ on Sirius XM’s 1st Wave continues to impress by digging somewhat deeper than normal, with tonight’s episode featuring unexpected cuts from the likes of The Cure (‘The Baby Screams’), The Smiths (‘The Hand That Rocked the Cradle’) and Ministry (‘Flashback’).

The playlist from tonight’s ‘Dark Wave’ on Sirius XM’s classic-alt station 1st Wave boasts an unusual number of deep, rarely aired cuts from regulars such as Siouxsie and the Banshees (the band’s cover of The Doors’ ‘You’re Lost Little Girl’), the Psychedelic Furs (‘Imitation of Christ’), The Jesus and Mary Chain (‘Catchfire’) and Love and Rockets (‘Holiday on the Moon’).

Tonight’s ‘Dark Wave’ on Sirius XM’s 1st Wave opened with The Cure’s ‘Disintegration,’ and featured such highlights as a rare airing of TSOL (‘Flowers By the Door’); the return of Public Image Ltd.’s ‘Rise,’ which opened the show for weeks on end earlier this year; and both Joy Division’s ‘Love Will Tear Us Apart’ and the Swans’ cover.

Highlights of tonight’s ‘Dark Wave’ on Sirius XM’s 1st Wave include a left-field Love and Rockets pick (‘Rain Bird’ off ‘Earth Sun Moon’) and the ‘The Dominatrix Sleeps Tonight,’ the lone single from early-’80s synthpop act Dominatrix.

Highlights from last night’s ‘Dark Wave’ on Sirius XM’s 1st Wave include an always-welcome Depeche Mode B-side (‘Sea of Sin’ off ‘World in My Eyes’), a dash of Swans (‘Saved’) and a particularly great three-song run by Sinead O’Connor, Cocteau Twins and The Church (‘Jerusalem’/’Ivo’/’Tantalized’).

Highlights from tonight’s ‘Dark Wave’ on Sirius XM’s 1st Wave include a pair of album cuts (‘More Than a Party,’ ‘And Then…’) from Depeche Mode’s ‘Construction Time Again,’ a Giorgio Moroder tune from the ‘Cat People’ soundtrack (‘Leopard Tree Dream’) and one of The Smiths’ finest moments (‘Death of a Disco Dancer’).