Welcome to the Week in Rock, where we round up all of the headlines posted on this site over the past week. This week featured posts about David Bowie, Depeche Mode, Spacemen 3, New Order, Simple Minds, The Breeders, The Cult, Black Francis, Kitchens of Distinction, Alison Moyet and more.

The Cult have been teasing fans the last couple days via social media that they plan to announce a new tour called “Electric 13” on Monday — a trek that presumably will find Ian Astbury and Billy Duffy revisiting their 1987 hard-rock turn Electric on stage each night. The tour is poised to come to the U.S. and U.K.

Fans of Black Francis who plan to see the Pixies frontman’s solo-acoustic show in New York City next week who are older than 30 — and let’s face it, that’s a lot of us — might want to consider something they haven’t done in a couple decades: investing in a fake ID. Tickets are $15 cheaper for fans 30 and under.

Still struggling from the loss of planned headliner The Human League, the promoters of this summer’s Regeneration Tour today announced they’ve been forced to scale back to a West Coast-only trek, unveiling new shows and lineups in Portland, Ore., Sacramento and Mexico City while also canceling a date in Atlanta.

New Order will mark its highly successful reunion with the release this summer of a new 13-track live album recorded at the U.K.’s Bestival last September, according to the NME. Live at Bestival 2012 will be released July 8 in the U.K. via CD and download, with all profits going to the Isle of Wight Youth Trust.

Simple Minds continue to toy with the emotions of their long-suffering North American fans, hinting that the band is set to finally tour the U.S. and Canada for the first time in more than a decade, pronouncing this morning via the group’s Facebook page that such concerts may be coming “sooner than you might think.”

The Breeders brought their Last Splash 20th anniversary tour to Boston for a homecoming gig Thursday night, but ended up celebrating an earlier era as co-founder Tanya Donelly re-joined Kim Deal and Co. onstage for a pair of numbers, including a giddy, laugh-filled cover of The Beatles’ “Happiness is a Warm Gun.”