Hey, what do you know: Turns out exactly two years have passed since Slicing Up Eyeballs: The Legacy of ’80s College Rock launched, and here we are — 1,276 posts and 1.7 million pageviews later — still chugging along.

Next month, Los Angeles’ Dum Dum Girls — equal parts The Ronettes and The Jesus and Mary Chain — will follow up their 2010 Sub Pop debut with a four-track EP called He Gets Me High that includes a blissfully fuzzed-out cover of The Smiths high-water mark ‘There Is A Light That Never Goes’ Out.” T

Today’s assortment of online odds and ends includes a great new Smiths/Morrissey visual discography, a podcast of The Fall’s best Peel sessions, the first taste of Peter Buck’s and Steve Wynn’s second Baseball Project album, and an interview with Chrissie Hynde.

Today’s collection of interesting stuff, including interviews with The Smiths’ Andy Rourke, Lou Barlow of Sebadoh and Dinosaur Jr and Gang of Four’s Jon King, plus some stripped-down, a capella New Order.

Exactly 28 years ago today, The Smiths took the stage for only their third concert — and only their second with the final Morrissey/Johnny Marr/Andy Rourke/Mike Joyce lineup — opening for Factory Records funk band 52nd Street at New Order’s infamous Manchester club The Hacienda.

Highlights of tonight’s ‘Dark Wave’ on Sirius XM’s 1st Wave include some lesser-aired tracks by Depeche Mode (‘Shame’) and The Smiths (‘I Don’t Owe You Anything’), plus a bunch of live Bauhaus.