Steven Severin these days devotes himself to making new music for old movies, composing and performing scores for decades-old silent films. Now, though, he’s providing the score to “Borley Rectory,” an animated documentary about the “most famous haunted house in England.”

Siouxsie returned to the concert stage for the first time in five years tonight in London, performing the first of two nights at the Yoko Ono-curated Meltdown festival with a 20-song set that included a full reading of 1980’s Kaleidoscope plus Banshees favorites like “Cities in Dust” and “Israel” as well as tracks off MantaRay.

It’s been a few years since former Siouxsie and the Banshees bassist Steven Severin expressed hope that he could one day work with The Cure’s Robert Smith on new music together as The Glove, and while it’s unclear whether that ever happened, it appears there’s something on the horizon from the short-lived side project.

The Glove is best remembered for bringing together Robert Smith of The Cure and Siouxsie and the Banshees bassist Steven Severin. But the group, which released a single album, ‘Blue Sunshine,’ in 1983, also featured vocalist Jeanette Landray — who looks back on the experience after 30 years in this video.

Thirty-five years ago today, a nascent Siouxsie and the Banshees — with co-founders Siouxsie Sioux and Steven Severin joined by Sid Vicious on drums — played their first concert at the famed 100 Club Punk Special, opening for The Clash and the Sex Pistols. Hear it here.

Although he’s become an in-demand guest vocalist, Robert Smith says in a new interview that he’s refocusing on The Cure and vows he won’t do another collaboration until he completes the long-promised second half of 2008′s ‘4.13 Dream’ — the so-called ‘Dark Album’ that he once suggested could land in spring 2009.