This week’s headlines at Slicing Up Eyeballs — you know, in case you missed anything — included a lot of news about the now-defunct R.E.M., plus items on Public Image Ltd., The Jesus and Mary Chain, This Mortal Coil, Scruffy the Cat and Siouxsie and the Banshees.

The now-defunct R.E.M. will release its first-ever career-spanning greatest-hits collection — ‘Part Lies, Part Heart, Part Truth, Part Garbage: 1982-2011’ — in November, and Rolling Stone reports the set will include “a handful of tracks” recorded earlier this year.

Given yesterday’s news, it seemed to appropriate to dust off and post this episode of my Slicing Up Eyeballs show on Strangeways Radio from March 8, a show devoted entirely to R.E.M. to mark the release of the band’s 15th — and now, it turns out, final — album ‘Collapse Into Now.’

Three days after R.E.M.’s 2008 tour wrapped in Mexico City, the band posted this six-song, 39-minute encore set from that final concert — an appearance Michael Stipe told fans would be ‘our last show for a long time,’ but now stands as the group’s final performance.

R.E.M. — the iconic college-rock band that soared to major-label uperstardom in the late ’80s and early ’90s before suffering the loss of a key original member — announced today that it has ‘decided to call it a day as a band’ after 31 years together.

Much has been made about the loss of album art in the download age, but pop-culture maven Matthew Chojnacki argues that even more endangered are the 7- and 12-inch single sleeves of the 1980s — ephemeral splashes of music history that he’s compiled in the new book ‘Put the Needle on the Record: The 1980s at 45 Revolutions Per Minute.’