Twenty-two years ago, Robert Smith sat for a half-hour BBC2 documentary about The Cure that aired Aug. 8, 1988, as one of 10 installments of the series ‘That Was Then… This Is Now.’

This week on the A.V. Club’s ‘Undercover’ series, Fall Out Boy frontman Patrick Stump goes solo-acoustic to offer his take on The Wedding Present’s 1987 single ‘My Favourite Dress.’

Tonight’s ‘Dark Wave’ on Sirius XM’s 1st Wave featured many of the usual suspects, but a few gems stuck out, including a mid-period single from the rarely played Cabaret Voltaire (‘Sensoria’), a dash of Die Warzau (‘Funkopolis’) and some off-base picks for some of the show’s bigger bands (The Smiths’ ‘Never Had No One Ever,’ The Cure’s ‘Siamese Twins,’ Depeche Mode’s ‘Shame’).

Former Depeche Mode keyboardist Alan Wilder — aka Recoil — this week announced a 14-date fall tour of the Americas in support of this year’s ‘Selected’ best-of collection, a trek a half-dozen U.S. dates and shows in five South American nations.

For the latest installment of the A.V. Club’s weekly web series “Undercover: 25 Bands, 25 Cover Songs, 1 Small Room,” prog-metal outfit Coheed & Cambria stripped down to an acoustic duo and performed a tender cover of The Smiths’ ‘A Rush and a Push and the Land is Ours,’ which opens 1987’s ‘Strangeways, Here We Come.’

The highly influential debut album from German synthpop outfit Propaganda — 1985’s ‘A Secret Wish’ — will be reissued yet again later this month, this time appearing in a 25th anniversary 2CD edition featuring six previously unreleased tracks plus the rare 20-minute cassette mix of ‘Duel.’

Synthpop duo Pet Shop Boys this weekend announced they’ve teamed up with choreographer Javier de Frutos to develop a full-length ballet based on the Hans Christian Andersen story ‘The Most Incredible Thing’ that’s set to premiere at London’s Sadler’s Wells dance house next March.

The Houston, Texas-based Catastrophic Theatre is working with Pixies frontman Black Francis to adapt his 2007 solo album ‘Bluefinger’ — a concept record about the life and death of Dutch rocker and painter Herman Brood — into a rock opera set to debut this fall.

The producer of ‘Playing the Angel: The Musical’ — which was to have been based around Depeche Mode songs such as ‘Personal Jesus’ and ‘Walking in My Shoes’ — has pulled the plug on the project, citing ‘miscommunication and misunderstanding’ over his rights to use the band’s music.

A cutting-edge theater company on the Mediterranean island of Malta has acquired the rights to use Depeche Mode songs such as ‘Personal Jesus’ and ‘Just Can’t Get Enough’ in ‘Playing the Angel: The Musical,’ which is set to open early next year.

The 2008 reunion tour by Yazoo — or Yaz, as the Vince Clarke/Alison Moyet group was called here in the U.S. — will be documented with a two-disc live album called ‘Reconstructed Live’ that’s due out this fall, the band announced today on its official site.

This week’s installment of the A.V. Club’s Undercover series finds The Wedding Present delivering a great, fuzzed-out take on The Rolling Stones classic ’19th Nervous Breakdown.’

Highlights from last night’s ‘Dark Wave’ on Sirius XM’s 1st Wave include an always-welcome Depeche Mode B-side (‘Sea of Sin’ off ‘World in My Eyes’), a dash of Swans (‘Saved’) and a particularly great three-song run by Sinead O’Connor, Cocteau Twins and The Church (‘Jerusalem’/’Ivo’/’Tantalized’).