John Lydon hopes to use the proceeds from Public Image Ltd.’s upcoming U.S. tour to fund the recording of the reconstituted band’s first new album since 1992’s ‘That What Is Not.’

Holed up in a mobile recording trailer in EMI’s London parking lot, Andy Bell and Vince Clarke of Erasure this week began offering fans short glimpses into the recording of their 14th studio album, posting a pair of videos in which they discuss their writing sessions — and Clarke’s plans to only use analog synths on the record.

Depeche Mode’s live double album ‘101,’ recorded at the band’s massive Rose Bowl concert in 1988, was released 21 years ago this week. To mark the occasion, we look back, and offer up clips from the accompanying ‘101’ film.

Elvis Costello is poised to tap his 1978 U.S. tour for a second live album in six months, at least in Japan, where the 16-track ‘Live at Winterland, San Francisco’ — recorded just three days after ‘Live at Hollywood High’ — is due for release this summer.

The reunited Faith No More continue to eke out U.S. tour dates, today announcing a New York City concert in July — the band’s first East Coast show in more than a decade — to follow its three sold-out San Francisco gigs in April in advance of the Coachella Valley Music & Arts Festival.

Former Stranglers frontman Hugh Cornwell will embark on a 14-date North American tour later this month — hitting the West Coast and Midwest of the U.S., plus a lone Canadian stop in Vancouver — before venturing to South America for three concerts and returning to the U.K. for eight more dates.

Photographer Simon Larbalestier’s iconic Pixies album artwork — created during the college-rock kingpins’ original 1986-1993 run as well as the band’s ongoing reunion — will be the subject of a six-week retrospective at a U.K. art gallery beginning next month.