The highlights of tonight’s ‘Dark Wave’ on Sirius XM’s 1st Wave include The Swans’ cover of ‘Love Will Tear Us Apart,’ a dash of German synthpop from Cetu Javu, The March Violets’ classic ‘Snake Dance’ and a nice Bauhaus/David J/Love and Rockets run toward the end of the show.

Despite proclaiming Swords a ‘meek disaster’ last December, Morrissey has gone ahead and made a music video to promote one of the (best) tracks off his late-2009 b-sides album: ‘Ganglord,’ the flip side to 2006’s ‘The Youngest Was the Most Loved.’

Reconstituted postpunk act Killing Joke this week announced it will push back the release of its forthcoming album ‘XIII: Feast of Fools’ from April until September, and delay its 30th anniversary tour of Europe and North America until later this year.

John Lydon hopes to use the proceeds from Public Image Ltd.’s upcoming U.S. tour to fund the recording of the reconstituted band’s first new album since 1992’s ‘That What Is Not.’

Holed up in a mobile recording trailer in EMI’s London parking lot, Andy Bell and Vince Clarke of Erasure this week began offering fans short glimpses into the recording of their 14th studio album, posting a pair of videos in which they discuss their writing sessions — and Clarke’s plans to only use analog synths on the record.

Depeche Mode’s live double album ‘101,’ recorded at the band’s massive Rose Bowl concert in 1988, was released 21 years ago this week. To mark the occasion, we look back, and offer up clips from the accompanying ‘101’ film.

Elvis Costello is poised to tap his 1978 U.S. tour for a second live album in six months, at least in Japan, where the 16-track ‘Live at Winterland, San Francisco’ — recorded just three days after ‘Live at Hollywood High’ — is due for release this summer.