Peter Murphy will revive the “Miracula” concept he first employed for an all-inclusive Las Vegas weekend this past March for a trimmed-down Halloween event at a “secret location” in the Los Angeles area that will include a 2-act concert, a cocktail party, a “moveable feast” and “intimate conversation” with Murphy.

Brian Eno will release his first solo album in seven years this fall, a 75-minute ambient composition titled Lux that Warp Records says “finds him expanding upon the types of themes and sonic textures that were present on such classic albums as Music For Films, Music For Airports and Apollo: Atmospheres and Soundtracks.”

John Lydon’s reunited Public Image Ltd. took to the airwaves last night for the band’s first U.K. television performance in 20 years, appearing on BBC Two’s “Later… with Jools Holland” to play “Reggie Song,” the next single off the band’s comeback LP, This Is PiL — which you can watch right here.

Tonight’s Slicing Up Eyeballs Music Hour featured brand-new and unreleased music from The Cure’s Robert Smith, Midnight Oil, R.E.M., Terry Bickers of The House of Love, The Replacements’ Paul Westerberg and Vince Clarke of Erasure, plus old favorites from The Lemonheads, Aztec Camera and Sad Lovers and Giants.

Tim Burton’s latest stop-motion creation, “Frankenweenie,” doesn’t debut in theaters for another 10 days, but the companion album Frankenweenie Unleashed! came out today featuring a brand-new recording from The Cure’s Robert Smith: a woozy cover of the old Frank Sinatra standard “Witchcraft,” which you can stream here.

On Friday night, Steve Wynn reconvened The Dream Syndicate for the first of four 30th anniversary reunion concerts in Spain, playing a 15-song set heavy on ‘The Days of Wine and Roses’ before a festival crowd in Barcelona. Not much video has yet emerged, but we’ve got a few clips posted.

DJ and former punk drummer Chris Lawhorn next month will release a 22-track instrumental album titled ‘Fugazi Edits’ that, as its name suggests, is built on samples of every song released by the dormant post-hardcore band Fugazi over the course of its recording career, which spanned 1988 to 2001.