For this week’s “120 Minutes” Rewind, we flash back to the very first year of the show, 1986, for this “120 X-Ray” segment that finds Martha Quinn digging into Australia’s Hoodoo Gurus around the time of the release of “Death Defying,” the third single off 1985’s ‘Mars Needs Guitars!’

We’ve already speculated as to why there’s a good chance we’ll see The Cure and New Order on the bill of August’s Lollapalooza, and now comes a photo of what’s purported to be a poster featuring the Chicago festival’s yet-to-be-announced lineup, headlined by Robert Smith and Co.

It’s been less than two years since Al Jourgensen reunited his iconic industrial/metal act Ministry, but after a mid-tour health scare and the loss of sideman and best friend Mike Scaccia late last year, Uncle Al his putting an end to the band once and for all with a final album, ‘From Beer to Eternity,’ and an autobiography.

With their new album ‘Delta Machine’ out this week, Depeche Mode today announced a new stop on its North American tour — Oct. 6 in Las Vegas — suggesting that the band will be filling in that conspicuous nine-date gap between its Los Angeles shows and the tour-closing gig in Phoenix.

The lineup for this summer’s Glastonbury festival was announced today, and it’s an utter monstrosity, with headliners The Rolling Stones, Arctic Monkeys and Mumford & Sons joined by a seemingly endless list of bands, including Primal Scream, Nick Cave & The Bad Seeds, Elvis Costello, Billy Bragg and more.

Three years ago, we reported on plans to release a fan-produced concert film documenting Nine Inch Nails’ purportedly final concert: a monster 3.5-hour, 37-song set performed Sept. 10, 2009, at Los Angeles’ Wiltern Theatre. Now, with Trent Reznor having just announced plans to reunite NIN, the film is here.

Wire this week released their 13th studio album ‘Changes Becomes Us,’ and instead of offering the increasingly popular pre-release stream, the band is going for post-release: the full album, billed as an “exploration of unrecorded material originally written in 1979-80,” is now streaming over at Pitchfork.