Morrissey long has been coy about his sexuality, which is why the publication of his autobiography this past week generated a flurry of headlines about its revelation of a relationship with another man during the 1990s — reports that apparently have led the former Smiths frontman to proclaim he’s not gay, but, rather, “humasexual.”

The Stone Roses reunion hasn’t made much of a splash on these shores, with just a pair of U.S. performances from the band at Coachella. But American fans will get a closer glimpse when the documentary “The Stone Roses: Made of Stone” screens in theaters next month and the gets a DVD/Blu-ray release,

The Cure returned for its second headlining slot at this year’s two-weekend Austin City Limits Music Festival, and this time shook up its standard festival set to inject some of the rarities that Robert Smith and Co. dredged up for shows this past week in Moterrey, Mexico, and El Paso, Texas.

Before rain snuffed out today’s final day, the Austin City Limits Music Festival ramped up for a second consecutive weekend, this time with many of the performances being webcast. Watch the full 90-minute set by Depeche Mode, an abbreviated version of the band’s standard Delta Machine tour set,

Steve Kilbey of The Church and The Afghan Whigs’ Greg Dulli — who have been writing new music together over the past year — made their live debut together Wednesday night with an intimate show in Los Angeles, where they performed selections from each other’s projects and premiered at least one new song,

The Cure returned to Mexico last night for the second time this year, and while the band’s set didn’t quite match the epic length of its show on Robert Smith’s birthday in April, it did feature more surprises, including a heavy dose of The Top and the live debut of Head on the Door-era B-side “Stop Dead.”