In conjunction with the release this month of the 25th anniversary reissue of the Pixies’ classic second album Doolittle, the 4AD label has produced a 30-minute promotional film in which guitarist Joey Santiago and drummer David Lowering reflect back on the making of the record.

With Johnny Marr’s North American tour in support of the just-released Playland now entering its second half, the ex-Smiths guitarist has begun spicing up his encore set — already featuring some choice classics from his former band’s catalog — with a cover of Depeche Mode’s 1993 guitar rocker “I Feel You.”

B-52s co-founder Kate Pierson will make her solo debut next year with the release of Guitars and Microphones, a 10-track album described as “marrying party rock, psychedelia and socio-political punk” and featuring songs co-written by Sia and a guest appearance by guitarist Nick Valensi of The Strokes.

With his North American tour now about halfway done, ex-Smiths guitar hero Johnny Marr this week released the second music video off his recently released solo LP Playland, a performance clip (directed by Ben Thornley & Mat Bancroft) that you can watch here.

If you haven’t had a chance to catch The Dream Syndicate’s somewhat sporadic reunion, here’s a great look at Steve Wynn and Co. doing their thing. Filmed by KEXP last month during the Bumbershoot festival in Seattle, this half-hour set features three songs off the classic The Days of Wine and Roses plus a 15-minute version of “John Coltrane Stereo Blues.”

After releasing a steady stream of 7-inch singles over the past couple years, The Dead Milkmen return next month with their first new album in three years, a 17-track collection called Pretty Music For Pretty People that, perhaps not surprisingly, contains many of the songs included on those limited-edition 45s.

Perhaps fittingly, The Replacements capped off last night’s triumphant hometown gig — their first in 23 years, and the band’s first non-festival date since reuniting last summer — with a performance of fan favorite “Unsatisfied,” the first time the Let It Be classic has been dusted off since the ‘Mats got back together.