Trent Reznor’s resurrected Nine Inch Nails this morning released the music video for comeback single “Came Back Haunted,” and not only is the clip directed by cinematic auteur David Lynch, it carries a warning that its strobe-like effects may cause seizures among viewers with epilepsy. So you’ve been warned.

For this week’s “120 Minutes” Rewind, we present a series of clips of what host Dave Kendall announces as “the first-ever international edition of ‘120 Minutes,'” broadcast in August 1991 from England’s Reading Festival. Kendall chats up The Sisters of Mercy’s Andrew Eldritch and members of Sonic Youth, Nitzer Ebb and James.

Here it is: The first footage, albeit just 9 seconds and shot through the sliding-glass door of a rehearsal space, of The Replacements, together again and performing in 2013. The band’s official Facebook page shared video of the ‘Mats running through performing “Alex Chilton.”

For this week’s Vintage Video, we again look to rescue a classic-period concert film from VHS obscurity, this time presenting, in full, the out-of-print Tears For Fears home video “In My Mind’s Eye: Live at Hammersmith Odeon,” a concert filmed in London in December 1983 and released in 1984.

The first glimpse of Morrissey’s upcoming concert film “Morrissey 25: Live” hit the web in the form of a minute-long trailer put together by the film’s theatrical distributor SpectiCast, which is marketing the “immersive cinematic concert experience” as being available to screen in theaters beginning Aug. 29.

This past March, former Orange Juice frontman Edwyn Collins released his eighth solo album and first in three years, Understated, which had been preceded by first single “Too Bad (That’s Sad),” a fine bit of updated Motown soul. Now, three months later, Collins delivers the a music video for that track.

On Friday at its Solid Sound festival in Massachusetts, Wilco played a 27-song all-request set that featured exactly one Wilco song… and 26 covers by artists ranging from Television and Bob Dylan to even Daft Punk — not to mention The Replacements’ “Color Me Impressed” with Tommy Stinson.

For this week’s “120 Minutes” Rewind, we take a rare trip into the mid-’90s to present footage from the Sept. 4, 1994, episode, which was guest-hosted by Bob Mould the same week he released Sugar’s second and final album, File Under: Easy Listening. The two perform together for the first time.

If you’re into the more technical aspects of a how a band like Depeche Mode pulls off big arena shows, here’s a video tour of the band’s stage setup on the Delta Machine Tour, with a look at the keyboard arrays employed by Andy Fletcher and touring member Peter Gordeno, as well as Martin Gore’s guitar rig.

In 1984, David Byrne helped put together a TV special on the Talking Heads for U.K. TV’s Channel 4, a 68-minute mix of live material filmed at Wembley Arena, interviews, TV news clips, commercials and found footage and sound — sort of a visual version of My Life in the Bush of Ghosts set to live music.

The Pet Shop Boys today debuted the video for Electric single “Vocal,” and it’s a bit of a time warp: The Joost Vandeburg-directed clip — which you can see below — is comprised of “authentic amateur film footage shot at various raves in the late ’80s” as well as images from the Hacienda club in Manchester.

While we’ve already posted copious video from Siouxsie’s first concert in five years this past Saturday, it is worth sharing one key piece of footage from tonight’s reprise at the Yoko Ono-curated Meltdown festival, namely the one song on Saturday night’s setlist that got dropped from that show: “Spellbound.”

Tuesday marks the 25th anniversary of Depeche Mode’s iconic “Concert For the Masses,” a daylong show at the 100,000-seat Rose Bowl in Pasadena, Calif., that also featured performances by Wire, Orchestral Manoeuvres in the Dark and Thomas Dolby — and was, of course, filmed and recorded for ‘101.’