For this week’s Vintage Video, we again look to rescue a classic-period concert film from VHS obscurity, this time presenting, in full, the out-of-print Tears For Fears home video “In My Mind’s Eye: Live at Hammersmith Odeon,” a concert filmed in London in December 1983 and released in 1984.

The first glimpse of Morrissey’s upcoming concert film “Morrissey 25: Live” hit the web in the form of a minute-long trailer put together by the film’s theatrical distributor SpectiCast, which is marketing the “immersive cinematic concert experience” as being available to screen in theaters beginning Aug. 29.

Morrissey has formally announced that his concert film “Morrissey 25: Live,” filmed at Hollywood High last March, will receive a “worldwide cinema release” in August to mark his 25th year as a solo artist. The film also will be released on DVD — Moz’s first such release in nine years.

While we’ve posted this before — more than three years ago, in fact — The Cure’s Robert Smith has yet to follow through with his announcement of a DVD release of “The Cure in Orange,” so, as it remains sadly out of print, we once again present the full 1987 concert film, thanks to the miracle of YouTube.

With two weeks left to go, the producers of a documentary called “Dare To Be Different” — which aims to tell the story of hugely influential New York alternative station WLIR 92.7 FM — are more than $12,000 short of their fundraising goal, and are still hoping to lure fans with a variety of donor perks.

Britain’s BBC Two last weekend aired a new, 90-minute documentary by Francis Whatley called “David Bowie: Five Years” that, as its title suggests, examines five key years in the Thin White Duke’s career (the years in question all fall between 1971 to 1983. Watch the whole thing thanks to Videodrome Discothèque.

The Church next week will release “Long Distance Century Buzzes and Fades,” a 23-years-in-the-making documentary of the band’s 1990 world tour in support of Gold Afternoon Fix that frontman Steve Kilbey assembled from more than 13 hours of raw footage he filmed with a then-new Super 8 camera.