A new 50-song compilation of early R.E.M. material called Complete Rarities: I.R.S. 1982-1987 is due out digitally next month, but appears to be largely, if not completely, comprised of tracks previously assembled on 1987’s out-of-print Dead Letter Office, a more recent I.R.S. years best-of and singles.

Keith Levene, founding member of both The Clash and Public Image Ltd., plans to resurrect what was to be PiL’s fourth album —1984’s Commercial Zone, released in two different incarnations — and “enhance it with original material,” finishing the album 30 years later.

Paul Weller this June will follow up 1998’s Modern Classics compilation with a new companion best-of — cleverly titled More Modern Classics — that will pick up where the previous set left off, collecting 20 favorites by the former Jam leader recorded over the past 15 years, including a brand-new single.

Upset by “ever more negative interpretations” of the interview he conducted last weekend, Robert Smith took to The Cure’s website today to explain his plans to finally release the remainder of the music recorded for 2008’s 4:13 Dream, revealing that it will be issued across two different albums.

Back in February, The Cure announced ambitious plans for 2014, including the release of a new album — the companion to 2008′s 4:13 Dream — as well as a third round of “Trilogy” shows worldwide, which would find the band performing The Top, The Head on the Door and Kiss Me, Kiss Me, Kiss Me.

Cocteau Twins guitarist Robin Guthrie and Ride frontman Mark Gardener have completed their long-in-the-works album together — a collaboration they debuted with their 2012 single “The Places We Go” — and will release the record worldwide this September, Gardener announced this week.

After 37 years at the helm of The Pretenders, iconic frontwoman Chrissie Hynde is going solo, announcing plans to release her first-ever album under her own name, an 11-song collection called Stockholm that’s due out on June 9 and is preceded by the single “Dark Sunglasses.”

The Pixies today announced the release of the third in their series of self-released vinyl-and-digital EPs over the last seven months, and now will compile all 12 new songs released since last summer’s “Bagboy” digital single as a full-length album that will make the band’s new music available on CD.

Peter Murphy returns with brand-new music late this spring as he releases his much-anticipated 10th album Lion, an 11-track collection produced by Killing Joke bassist Youth that the former Bauhaus frontman previewed in rough form over the PA before concerts on his 2013 tour.

Daniel Ash of Bauhaus, Love and Rockets and Tones on Tail is turning to his fans to fund his new album Stripped and help select the songs from “the many albums I have been a part of,” a selection of tracks that Ash will then re-record in stripped-down arrangements.

Former Aztec Camera mastermind Roddy Frame returns this May with his first solo album in eight years, a record called Seven Dials that is preceded by the debut today of lead-off single “Forty Days of Rain,” which you can stream below via AED Records.

Morrissey today revealed the title of his forthcoming album — the ever-subtle World Peace Is None Of Your Business — and announced that the 12-track album is “provisionally” set to be released in late June or early July worldwide by Capitol subsidiary Harvest Records.

Bob Mould may be celebrating the 25th anniversary of Workbook at the moment, but he’s also looking ahead: Merge Records this week announced that it will release Mould’s 11th studio album, Beauty & Ruin, which “packs a staggering lifetime’s worth of emotion and experience into a 36-minute package.”