The publication of Morrissey’s autobiography this fall has been a major event in both the musical and literary worlds, and for those who’ve yet to pick up the aptly titled “Autobiography,” now’s your chance: Publisher G.P. Putnam’s Sons has given us 5 copies of the U.S. hardcover edition to give away to Slicing Up Eyeballs readers.

This week’s new releases include a lavish 3CD box set celebrating The Velvet Underground’s second album ‘White Light/White Heat,’ as well as a new EP from The Fall, a collection of radio station performances from Jellyfish and audiophile vinyl reissues from Echo & The Bunnymen and Dinosaur Jr.

Bob Mould’s gearing up to celebrate next year’s 25th anniversary of his post-Hüsker Dü solo debut Workbook in a big way, and now come details of an expanded reissue of the album — featuring a bonus live album as part of the 2CD set — as well as what’s being termed a 7-date “commemorative” tour.

Without formally acknowledging the departure of Kim Shattuck following the band’s fall European tour, the Pixies this morning announced her replacement for shows in North America, Europe and South America next year: Paz Lenchantin, who played in A Perfect Circle and Billy Corgan’s brief post-Smashing Pumpkins outfit Zwan.

Tonight’s edition of “Dark Wave” on Sirius XM’s 1st Wave featured music from Red Lorry Yellow Lorry, Propaganda, The Human League, The Fall, Pailhead, Specimen, Front 242, Anne Clark, Gary Numan, Meat Beat Manifesto, Killing Joke, Siouxsie and the Banshees, The The and more.

Morrissey’s reissue campaign moves forward once again come February with the release of the “definitive master” of his third album, 1992’s Your Arsenal, featuring, as usual these days, a slightly tweaked tracklist, plus an unusually generous bonus: a DVD featuring a previously unreleased 18-song live performance.

Omnivore Recordings next year will reissue a long-out-of-print 1982 live set by The Dream Syndicate that was recorded during an on-air performance at Los Angeles radio station KPFK-FM a few weeks before Steve Wynn and Co. entered the studio to cut their classic debut album The Days of Wine and Roses.