Long-defunct U.K. indie-pop outfit The Darling Buds will reunite for the second time in 20 years next spring for a one-off concert in London that’s being billed as “Pop Said… Again,” a reference to the group’s 1988 debut Pop Said…, which featured the singles “Shame On You,” “Burst” and “Hit the Ground.”

Among the vinyl exclusives earmarked for Record Store Day’s Black Friday event next month is this beauty: Ten Big Stiffs, a box set compiling 10 recreations of Stiff Records 7-inches — nine classics by the likes of The Plasmatics, Kirsty MacColl, Desmond Dekker and The Untouchables.

For this week’s “120 Minutes” Rewind, we revisit a 1989 episode featuring an appearance by three of The Sugarcubes — Bjork, fellow singer Einar Orn and drummer Siggy Baldursson — who discuss their second album, Here Today, Tomorrow, Next Week! Check out a short clip of their interview segments.

With the Throwing Muses’ first new record in a decade out in book form in the U.K. next month, the Kristin Hersh-led band today debuted the first music video from the project, an Orrin Anderson-directed animated lyric video for the song “Sunray Venus.” Purgatory/Paradise is being published as a 64-page book,

With The Cure rumored to be preparing Trilogy/Reflections-like concerts featuring performances of The Top alongside The Head on the Door and Kiss Me, Kiss Me, Kiss Me, we devote this week’s Vintage Video to a long-lost relic of the Top era: the band’s 90-minute “Live in Japan” concert film.

Bob Mould will celebrate the 25th anniversary of his post-Hüsker Dü solo debut Workbook next year with a special performance at San Francisco’s annual Noise Pop festival, organizers announced today as they unveiled an initial lineup for the Feb. 25-March 2 fest that also includes Mark Kozelek.

Cherry Red Records next year will reissue the NME’s legendary C86 cassette — a compilation of jangly guitar-based indie-pop so influential that its title became synonymous with the genre itself — in an expanded 2CD edition, curated by Neil Taylor, one of three writers at the U.K. music weekly who compiled the original tape.