Devo will be subject of a new authorized documentary that the filmmakers hope to have complete by this fall in order to submit it to next year’s Sundance festival. The doc, ‘Are We Not Men? The Devo Documentary,’ is currently in post-production, but director Tony Pemberton is still trying to raise money to complete the project.

Check out the opening track from the forthcoming ‘Just Tell Me That You Want Me: A Tribute to Fleetwood Mac,’ a new take — by Sonic Youth’s Lee Ranaldo with an assist from Dinosaur Jr shredder J Mascis — on the Peter Green-era instrumental hit ‘Albatross.’ The album arrives Aug. 14.

Talking Heads offshoot Tom Tom Club — namely husband-and-wife rhythm section Tina Weymouth and Chris Frantz — this September will release a new EP dubbed ‘Downtown Rockers’ both digitally and on vinyl, marking the duo’s first collection of new music since 2000’s ‘The Good, The Bad and The Funky.’

This week’s new releases include a new 5CD box set and single-disc best-of from The English Beat, a new album from Mission of Burma (‘Unsound’), a single from Ride’s Mark Gardener and Robin Guthrie of Cocteau Twins, a new Bananarama CD/DVD best-of and the U.S. release of Duran Duran’s ‘A Diamond in the Mind.’

Welcome to the Week in Rock, where we round up all of the headlines posted on this site over the past week. This edition includes items about Midnight Oil, The Stone Roses, John Lydon, This Mortal Coil, The Specials, Pet Shop Boys, World Party, Mission of Burma, The Smiths and more — plus the latest Auto Reverse mixtape.

Last weekend, The Stone Roses brought their improbable reunion tour to Manchester for three nights at the city’s Heaton Park, playing to a total of 220,000 fans in what have been billed as the fastest-selling concerts in U.K. history — and now you can watch the complete, 19-song, 100-minute set from the band’s first night.

Public Image Ltd. frontman John Lydon appeared on a panel with several members of the British Parliament last night on the BBC’s ‘Question Time’ program, where a good portion of the discussion focused on the so-called war on drugs (‘Let us as human beings determine our own journey through life,’ Lydon implored).

Fans of The Smiths who’ll be in Barcelona this month take note: The FNAC Triangle Photo Gallery is hosting an exhibit called ’25 Years Without The Smiths,’ featuring a fan’s private collection of vintage Rough Trade promotional posters advertising the release of the band’s classic albums and singles.

Boston post-punk legends Mission of Burma will release Unsound — their fifth studio album and fourth post-reunion effort — next Tuesday, but the folks at Fire Records are launching the record early on Spotify. If you’re registered with the streaming service, you should be able to listen to the full 11-track album via the player here.

Peter Hook will follow up his 2009 memoir ‘The Hacienda: How Not to Run a Club’ this fall with a new book that purports to tell ‘the definitive story of Joy Division’ by offering a behind-the-scenes look into the band’s ‘friendships and fall-outs, their rehearsals and recording sessions,’ as well as the suicide of Ian Curtis and its aftermath.

In August 2010, Beggars Archive announced a series of This Mortal Coil reissues, including a CD box set, new vinyl editions of the collective’s three albums and a Blu-ray disc that was to feature all three records in high-def stereo. Nearly two years later, the box set and vinyl reissues are out, but not the Blu-ray.

Beacon Audio recently launched a new video interview series and one of their latest installments features Dave Wakeling of The English Beat, who, in this five-minute clip, discusses the longevity of the Beat, how he learned to play guitar completely wrong (he’s right-handed, but plays as a lefty) and his favorite part of a concert.

In our latest link round-up, we feature a look inside Dave Gahan’s home studio, an argument that My Bloody Valentine’s ‘Loveless’ is the greatest album of the ’90s, a look back at The Psychedelic Furs, an interview with The Cult’s Ian Asbury and a look at the parallels between the rise of synthpop and digital design.