Morrissey today announced an eight-date tour of Canada this April, abandoning without explanation his 15-year boycott of the nation until its annual seal hunt is banned. That hasn’t happened, but Moz nevertheless will return, and part of the tour’s proceeds will go toward animal welfare charities across Canada. Dates here.

The Cure announced today that it will return to the Sydney Opera House, where the band premiered 2011’s Reflections concerts, to celebrate the 30th anniversary of Disintegration with four full-album performances in May — perhaps the first of more to come. Full details right here.

This is a round-up of the week’s new albums, expanded reissues and/or box sets, appearing each Monday on Slicing Up Eyeballs. All releases due out this Friday unless noted. Since we missed last week’s round-up, a few that just came out last Friday, too. Includes new/reissued releases from X, U2, Wire Train and more.

Dark Wave,” hosted by Slicing Up Eyeballs’ Matt Sebastian, airs 10 p.m. to 1 a.m. EDT every Sunday on Sirius XM satellite radio’s 1st Wave (Channel 33). The most recent two episodes also are available via Sirius XM’s On Demand service for online subscribers. See tonight’s full playlist right here.

Robert Forster, who co-founded and led the beloved Australian indie-pop combo The Go-Betweens with the late Grant McLennan, will release Inferno — his seventh solo LP and first in four years — next month. Below, you can stream the title track, “Inferno (Brisbane in Summer).”

The Wedding Present has just released a third collection of recordings that the David Gedge-led band made for Marc Riley’s show on BBC radio, and the group is promoting the collection — titled, naturally, Marc Riley Sessions Volume 3 — with a cover of the theme for the 1967 James Bond film “You Only Live Twice.”

The 1983 debut album by San Francisco new-wave rockers Wire Train — which spawned the singles “Chamber of Hellos,” “I’ll Do You” and “Never” — will be reissued on CD this week, expanded with six bonus tracks including B-sides, remixes and a cover of Neil Young’s “Mr. Soul.”