On Feb. 20, 2009, Slicing Up Eyeballs launched onto the web not with a bang but a whimper, debuting with a simple 91-word declaration and a headline cribbed from an R.E.M. song that Google Analytics now tells me was not viewed by a single person that day.

The Dead Milkmen are offering fans a look inside the recording of their new song “Prisoner’s Cinema” via Weathervane Music’s “Shaking Through” series of short documentaries, which are designed to illuminate the “vision and process of recording music.” Plus, they’re offering a free download of the finished product.

To coincide with our just-posted Top 100 songs of 1981 readers poll results, we’ve created this accompanying Spotify playlist. As you can see (and hear), the playlist is bookended by Depeche Mode, with “Just Can’t Get Enough” at No. 1 and “Photographic” at No. 100, and 97 songs in between.

Pardon our (more than) slight delay, but we’re back, after copious number-crunching, with the second installment in our new Best of the ’80s Redux series, the Slicing Up Eyeballs readers poll that has now determined our collective ranking of the Top 100 songs of 1981.

We’ve posted a number of memorable clips over the years as part of our “120 Minutes” Rewind feature, but this is a true rarity: some 35 minutes of J.J. Jackson-hosted footage from the earliest-known recording of an episode of MTV’s seminal Sunday night music-video show that took viewers “two hours into the future” every week.

Morrissey tonight announced that he will return to the U.S. this June and July to continue promoting his withdrawn album World Peace Is None of Your Business with a new 18-date tour of theaters, arenas and amphitheaters, a trek that includes a stop at Madison Square Garden in New York City.

On May 5, Wayne Hussey, frontman of The Mission, will release a 2DVD/1CD set Songs of Candlelight & Razorblades Live that chronicles his tour last year in support of his latest solo effort, and he’s teasing the upcoming project with a live stream of one of its tracks: a live cover of George Michael’s “Careless Whisper.”

Echo & The Bunnymen will return to the U.S. this summer, with the band this week announcing what it termed a “tour of America” that consists of four shows in California this August. It is not clear, via the band’s announcement on Facebook or elsewhere, whether the Bunnymen plan to add more dates to the trek.

This week’s new releases include reissue of The Specials’ three albums — 1979′s The Specials, 1980′s More Specials and 1984′s In the Studio, the latter of which was released under the band’s original name, The Special AKA — as well as a new record from German synthpop outfit Camouflage.

Well, here’s a fun one: The Dead Milkmen today shared a radio promo they recorded in 1985 for the University of Pennsylvania’s WXPN radio station, a re-write of “Bitchin’ Camaro” that announces the show “Yesterday’s Now Music Today” is moving from Sunday nights to weekday afternoon. Check it out here.

On the eve of the Record Store Day release of a new Wax Trax! Records box set, the Lethal Amounts Gallery in Los Angeles will celebrate Ministry mastermind Al Jourgensen and his labelmates on the highly influential Chicago imprint via a new photo exhibit called “Without Sympathy: The Visceral Journey of Al Jourgensen.”

Johnny Marr this week made it official, formally announcing his long-discussed plans to pen a memoir, saying the book will be published in fall 2016 — three years after bandmate Morrissey’s much-buzzed “Autobiography.” No title has been announced for Marr’s book, but it will be published by Century.

Peter Hook will mark the 35th anniversary of Ian Curtis’ death by performing the complete works of Joy Division in a 500-seat, 18th century church in Macclesfield, England — a charity event dubbed “So This is Permanence” that will see all proceeds donated to the Epilepsy Society and the Churches Conservation Trust.