The ongoing rioting in London struck a potentially devastating blow to the U.K.’s independent record labels last night when a 200,000-square-foot Sony DADC warehouse went up in flames, destroying countless records and CDs distributed by the PIAS Group on behalf of scores of indie labels including such famed imprints as Beggars Banquet, 4AD, Mute and Rough Trade.
The surviving members of Throbbing Gristle have relaunched their Industrial Records imprint in order to reissue the bulk of their late-’70s/early-’80s catalog and release the band’s final studio album: a long-in-the-works re-interpretation of Nico’s 1970 record ‘Desertshore.’
Tweet Revered catalog label Rhino Records — which put out the Left of the Dial box set and countless classic college-rock reissues by the likes […]
Q&A: Daniel Ash on Love and Rockets’ reunion, his new band — and figuring out how to play “So Alive” 
Q&A: Chris Frantz talks Talking Heads, Tom Tom Club and new book ‘Remain in Love’ 
Q&A: Hifi Sean on life after The Soup Dragons and the quest to make the perfect 7-inch 
Q&A: Steve Wynn on The Dream Syndicate’s first new album in nearly 30 years 
Q&A: Echo & The Bunnymen’s Will Sergeant on new instrumental trio Poltergeist 
Q&A: Steve Wynn on The Dream Syndicate reunion, upcoming tour — and new music 
Q&A: Bauhaus’ David J on his ‘accidental’ concept album ‘Not Long For This World’ 
Q&A: Howard Jones on revisiting ‘Human’s Lib,’ ‘Dream Into Action’ — and future plans 
Q&A: Peter Murphy on ‘Ninth,’ the break-up of Bauhaus, reuniting Dalis Car 
Q&A: Joey Santiago on Pixies’ ‘Doolittle’ tour, possible ‘Surfer Rosa’ shows, new album talk